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Frontiers of Literary Studies in China

ISSN 1673-7318

ISSN 1673-7423(Online)

CN 11-5745/I

邮发代号 80-982

Front. Lit. Stud. China  2009, Vol. 3 Issue (4): 479-502   https://doi.org/10.1007/s11702-009-0019-4
  Research articles 本期目录
Tao Qian and classical Chinese paintings
Tao Qian and classical Chinese paintings
YUAN Xingpei,
Department of Chinese Language and Literature, Peking University, Beijing 100871, China;
 全文: PDF(665 KB)  
Abstract:Tao Qian–related paintings created in ancient China can be divided into three categories: paintings inspired by Tao Qian’s literary pieces; paintings inspired by his anecdotes; portraits for Tao Qian. These paintings have made Tao Qian a cultural icon representative of aesthetics of placid rural seclusion. This article aims to reveal the aesthetic implications of Tao Qian as a cultural icon by finding information about lost paintings taking inspiration from him or assessing the authenticity of relevant ancient paintings preserved in museums or collected by collectors.
Key wordsTao Qian    classical Chinese paintings    cultural icon    aesthetic implications
出版日期: 2009-12-05
 引用本文:   
. Tao Qian and classical Chinese paintings[J]. Front. Lit. Stud. China, 2009, 3(4): 479-502.
YUAN Xingpei, . Tao Qian and classical Chinese paintings. Front. Lit. Stud. China, 2009, 3(4): 479-502.
 链接本文:  
https://academic.hep.com.cn/flsc/CN/10.1007/s11702-009-0019-4
https://academic.hep.com.cn/flsc/CN/Y2009/V3/I4/479
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