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Frontiers of Literary Studies in China

ISSN 1673-7318

ISSN 1673-7423(Online)

CN 11-5745/I

邮发代号 80-982

Frontiers of Literary Studies in China - Selected Publications from Chinese Universities  2008, Vol. 2 Issue (1): 64-50   https://doi.org/10.1007/s11702-008-0003-4
  本期目录
Li Bai and Qiang Culture
Li Bai and Qiang Culture
ZHOU Xunchu
Department of Chinese Language and Literature, Nanjing University, Nanjing 210093, China
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Abstract:Previous studies have attempted to unveil the mystery of Li Bai from various perspectives. This paper tries to reveal Li Bai’s uniqueness by considering his family roots and his immersion in Qiang culture in his early childhood. The fact that Li Bai uses the word bai v} (white) frequently in his poems and that he often thinks of the legend of Ge You, goat rider, demonstrate that he is deeply influenced by the Qiang people and their culture. The reason why he longed day and night to visit the immortals in the grottos of the mountains in Yue is also related to Qiang culture. Taoism was derived from the funeral customs of the Qiang people, and hence the depictions about Chisongzi who rose up to heaven in purple haze in Li Bai’s poems show how immense the influence of the regional culture of Shu and Qiang culture on Li Bai was. In addition, the music he enjoyed and the dance he performed are also closely associated with those of Qiang people.
出版日期: 2008-03-05
 引用本文:   
. Li Bai and Qiang Culture[J]. Frontiers of Literary Studies in China - Selected Publications from Chinese Universities, 2008, 2(1): 64-50.
ZHOU Xunchu. Li Bai and Qiang Culture. Front. Lit. Stud. China, 2008, 2(1): 64-50.
 链接本文:  
https://academic.hep.com.cn/flsc/CN/10.1007/s11702-008-0003-4
https://academic.hep.com.cn/flsc/CN/Y2008/V2/I1/64
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