Please wait a minute...
Frontiers of Literary Studies in China

ISSN 1673-7318

ISSN 1673-7423(Online)

CN 11-5745/I

Postal Subscription Code 80-982

Front. Lit. Stud. China    2009, Vol. 3 Issue (3) : 381-399    https://doi.org/10.1007/s11702-009-0016-7
Research articles
The influence and misreading of Brecht in China
 Download: PDF(295 KB)  
 Export: BibTeX | EndNote | Reference Manager | ProCite | RefWorks
Abstract Bertolt Brecht was one of the most famous and one the most controversial dramatists of the 20th century. Brecht, who had great influence on the development of drama in China in the New Period (the period after the end of the Cultural Revolution), also brought many problems. Those problems also made different people in Chinese theatrical circles have different opinions of Brecht. Some scholars think that the introduction of Brecht’s plays in the New Period was “a historical mistake”. Some even doubt if Brecht’s theory met artistic law, or if Brecht’s plays are of value. Why was Brecht so popular in the Chinese theatrical circles in the New Period? What does Brecht mean to Chinese drama? Why was Brecht misread in China? Did Chinese drama really need Brecht? This article offers serious reflections and analysis of those questions.
Keywords Brecht      dramas in the New Period      epic theater      narrative style      defamiliarization      
Issue Date: 05 September 2009
 Cite this article:   
. The influence and misreading of Brecht in China[J]. Front. Lit. Stud. China,2009, 3(3): 381-399.
 URL:  
https://academic.hep.com.cn/flsc/EN/10.1007/s11702-009-0016-7
https://academic.hep.com.cn/flsc/EN/Y2009/V3/I3/381
Viewed
Full text


Abstract

Cited

  Shared   
  Discussed