|
|
Tao Qian and classical Chinese paintings |
YUAN Xingpei, |
Department of Chinese
Language and Literature, Peking University, Beijing 100871, China; |
|
|
Abstract Tao Qian–related paintings created in ancient China can be divided into three categories: paintings inspired by Tao Qian’s literary pieces; paintings inspired by his anecdotes; portraits for Tao Qian. These paintings have made Tao Qian a cultural icon representative of aesthetics of placid rural seclusion. This article aims to reveal the aesthetic implications of Tao Qian as a cultural icon by finding information about lost paintings taking inspiration from him or assessing the authenticity of relevant ancient paintings preserved in museums or collected by collectors.
|
Keywords
Tao Qian
classical Chinese paintings
cultural icon
aesthetic implications
|
Issue Date: 05 December 2009
|
|
|
Viewed |
|
|
|
Full text
|
|
|
|
|
Abstract
|
|
|
|
|
Cited |
|
|
|
|
|
Shared |
|
|
|
|
|
Discussed |
|
|
|
|