Classical-style poetry is a neglected genre in the study of Chinese American literature. Except for the Angel Island Poetry and the Songs of Gold Mountain (Jinshan geji 金山歌集), no substantial research has been done on the enormous amount of classical-style poems published in San Francisco and New York. This article attempts to explore this uncharted territory by examining the poetry of Tung Pok Chin 陳松柏 (1916–88, aka Lai Bing Chan 黎屏塵) and his story as a Chinese immigrant. Chin moved to the United States in 1934 as a paper son. He joined the American navy during World War II and eventually established his own laundry business in Brooklyn. Since the late 1940s, Chin published a significant amount of his classical-style poetry in the China Daily News (Meizhou huaqiao ribao 美洲華僑日報), a left-wing newspaper operated by the pro-communist Chinese Hand Laundry Alliance. With the help of his daughter, he also wrote a memoir in English narrating his assimilation into American society. His poetry, though not particularly refined, similarly records his experiences and comments regarding American life and politics. Based on the source materials found in the Tung Pok Chin Papers archived in New York University, his memoir, and the poems he published in the China Daily News, herein I illuminate how Chin adopted a traditional form of poetry as his expressive vehicle and, with the narrative power of his English memoir, how he used his poems to construct a social identity. The article also relates Chin’s work to the broader context of Asian American studies, as well as the classical poetry community and its development in New York, and ponders his significances in the history of Chinese American literature.