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Frontiers of Literary Studies in China

ISSN 1673-7318

ISSN 1673-7423(Online)

CN 11-5745/I

Postal Subscription Code 80-982

Front. Lit. Stud. China    2018, Vol. 12 Issue (2) : 281-298    https://doi.org/10.3868/s010-007-018-0017-7
Orginal Article
The Poetic Transition and Modernity in Chen Sanli’s (1852–1937) Ancient-Style Verse
Tsung-Cheng LIN()
Department of Pacific and Asian Studies, University of Victoria, Victoria BC, V8W 2Y2, Canada
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Abstract

Chen Sanli broke the conventional stereotypes, regulations and structural limitations of past poetry to create innovations in poetic form, as well as adopting a variety of writing devices such as the transformed metaphors and the abstruse diction. Within these invented poetic forms, converted metaphors and recondite diction, Chen Sanli experiments with new subject matters which were unprecedented in poetry before his time, and convey his psychological reactions such as oppression, anxiety, helplessness, fear, despair, and confusion toward the change and upheaval. All the poetic forms, metaphors, linguistic devices and emotions in Chen’s verse have a great impact on modern Chinese literature. This paper aims to examine how Chen’s verse promoted classical Chinese poetic tradition but also contributed to the transition from traditional to modern literature.

Keywords Chen Sanli      Shilu (Record of poems)      poetic transition      modernity      Tongguang School      Hundred Days’ Reform     
Issue Date: 09 July 2018
 Cite this article:   
Tsung-Cheng LIN. The Poetic Transition and Modernity in Chen Sanli’s (1852–1937) Ancient-Style Verse[J]. Front. Lit. Stud. China, 2018, 12(2): 281-298.
 URL:  
https://academic.hep.com.cn/flsc/EN/10.3868/s010-007-018-0017-7
https://academic.hep.com.cn/flsc/EN/Y2018/V12/I2/281
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