Following China’s large-scale process of urbanization, the distinctive characteristics of China’s “city(s)” has also begun taking shape. Descriptions and imaginative writings about the city found in contemporary Chinese science fiction have demonstrated unique and yet very specific ways of understanding the city. They have displayed discontentment with the high-level fragmentation of urban space as well as its implicit social inequality, yet also have reflected upon the urban individual’s resort to acquiescence and self-justification as a result of their inability to effectively dismantle such predicaments. In these kinds of imaginary relations, the city becomes an object which is difficult to fathom yet unable to be resisted. Though science fiction novels are able to reconceptualize the city through the reconstruction of space and time, thus bringing about seemingly new visions of the city, yet when these narratives begin to deviate from topics such as the “social property of time,” or that of “social labor,” they themselves then become problematic.