This research investigated the place attachment of a heritage place, namely, the Roman amphitheater, by using a valid model, the Kyle, Graefe, and Manning (2005) model. This model presents three factors to reach place attachment: place identification, place dependence, and social bonding. Although the validity of the used model was proved, statistical tests were used to verify the validity of the collected data because the model was used on a heritage site. In accordance with the mentioned model, the sample was interviewed using the model questionnaire to evaluate people's attachment to the heritage place during rush hours. Along with other statistical tests, the exploratory factor analysis of the sample elaborated that the Kyle, Graefe, and Manning model is not completely valid for this study, because the results added a new effective factor, namely, spiritual value. The place attachment estimation was then examined using the new model. The nature of the place was found to affect the model used to evaluate its place attachment.

The architecture of Qeshm Island includes the specific architectural style of a warm and wet area, which previously had a functional use aimed to reach a sustainable architecture and development. However, few studiesontheidentification ofthecharacteristicsofvernacular architecture and their roles in island stability have been performed. Thus, to understand the vernacular architecture of the island as a sustainable pattern, we discussed it separately in three aspects, namely, urban fabric, one-based architecture, and architectural details. To address our study, a part of the old fabric of the city with its existing buildings (42 buildings of 70 years of age) was selected and evaluated in a qualitative study. Results showed that in the scale of the urban fabric, factors, such as the structures of the buildings, the frame of the neighborhood spaces, and in terms of the architectural details, factors, such as bars, thickness of the walls, and the openings, are among the vernacular features of the area, playing an important role in the stability of Qeshm Island. In general, studies showed that vernacular architecture of the island has focused on developing an orientation between the climate of the region and a good understanding of the construction.

The Church of San Lorenzo in Turin, which was designed by the Theatine architect Guarino Guarini in the 17^th century, is among the most famous Christian Baroque architectural masterpieces. Guarini was given freedom to plan and design this church, which can be considered his most innovative and influential work. The most significant feature of this building is its dome, which is magnificent and slightly different from what is expected from a Baroque church. The dome of San Lorenzo has been the subject of considerable research due to its perforated surface that allows daylight to penetrate into the interior space. However, this dome has been mostly described through mere observation in a poetic and mystical manner. Although a subjective analysis is vital in understanding this architectural piece, a systematic and objective analysis that includes numerical data is required to understand fully the illumination by natural light present in this work of architecture.

This paper presents a method based on high-dynamic-range-imaging luminance analysis that employs a quantitative luminous measurement technique to analyze the daylight behaviorin San Lorenzo. The first section of this paper investigates the subjective experience in the dome hall, and the last two sections objectively show the dome functions and the manner through which the design of Guarini creates various light values in different parts of the dome. Such a design is responsible for the unique experience in the dome hall.

The concept of historical conservation and character definition is reflected in the Liverpool Street of Elmina and Kingsway Street of Cape Coast in Ghana. The features of these streets are changing owing to urbanization and to the development of commercial retail. In this study, we investigated the character-defining features of Kingsway Street and Liverpool Street within an 800 m radius relative to the Cape Coast and Elmina Castles, respectively, which are known for their landmark roles as historical artifacts. We adopted a combination of mapping, philology, and fractal geometry to assess the character-defining features of each street. The key changes in the features of the two streets and the similarities between these features are emphasized in our results. The features of both streets have undergone rapid changes in terms of economic retail activities, which represent the central element defining the characters of theses treets. Furthermore, the 18th and 19th century architecture along these streets is gradually losing their original features because of undocumented and unguided renovations, as well as retrofitting works that are based on the discretion and taste of building owners.

Monolithic dome structures were built in the 1970s in Europe and America. These dome structures share common benefits of being cost-efficient, earth-friendly, extremely durable, and easily maintained. Monolithic shells are easily constructed and are extremely cost-effective. Monolithic domes respond efficiently to any climate, even to extremely cold or hot temperatures. In terms of utility savings, monolithic domes can cut electricity consumption by up to one-third, thereby saving 60–70% of total energy costs. Moreover, monolithic structures provide the highest survivability rates from destructions.

The interior of monolithic domes have perfect, concave shapes to ensure that sound travels through the dome and perfectly collected at different vocal points. These dome structures are utilized for domestic use because the scale allows the focal points to be positioned across daily life activities, thereby affecting the soni ccomfort of the internal space. This study examines the various acoustic treatments and parametric configurations of monolithic dome sizes. A geometric relationship of acoustic treatment and dome radius is established to provide architects guidelines on the correct selection of absorption needed to maintain the acoustic comfort of these special spaces.

The study seeks to examine the possibility of implementing the biological concept of symbiosis into the field of architecture for redefining the design principles of architectural recycling. Through an in-depthan alysis of the biological concept of symbiosis (i.e.,a close and often long-term interaction between two or more different biological species and the criteria that govern the differentiation between symbiotic associations), three redefined design principles of recycling—commensalism, mutualism, and parasitism—have been described, which form the base for defining the “recycling model.” Its value is in its multidisciplinary character and its systematic approach to the topic of recycling architecture. The principles embedded in this model relate to the aspects of structure, material, form, and spatial organization. The research methodology includes three case studies, which correspond to three redefined design principles and illustrate their basic characteristics. The research draws upon the biological concept of symbiosis, and its purpose is to elaborate possible structural, material, formal, and spatial relationships between the existing building and the new intervention in architectural recycling.

The economic, technological, and cultural transformations of our present society influence various scales of our daily lives. In housing, these transformations include changes in the family nucleus and the activities performed in living spaces. Housing flexibility seeks to meet the multiple needs of users by changing their living spaces and functions. This study aims to explore housing flexibility through a review of relevant literature, discussion of valuable findings, and presentation of a contemporary panorama of the theme. Notions of flexibility are integrated to reinterpret the contemporary sense of dwelling. However, the lack of a well-defined concept of flexibility hinders the integration of methods and theories on the subject.

Throughout history, design values have always underlined a given architectural style. The manner architects and architectural critics distinguish between them varies from that of the public. In fact a style well perceived by civil society was read as pathological by architectural academia. This paper examines the values and perceptions of contemporary architecture by architects and civil society. Through qualitative methodology, a project by each of the following leading contemporary architects-Renzo Piano, Norman Foster and Rem Koolhaas-was analyzed. The selected designs, all commissioned not more than a decade ago, vary in locations from Malta to Lebanon to India. The study concludes that design values and perceptions of architecture as read by members of the architectural profession do not tally with those of the public. The emphasis by architects is on the aesthetic whilst non-architects focus on the utilitarian dimension. Furthermore, the rhetorical language which architects use is not read as such by the public. The assessment of the public is based on the existential reality which they experience. The perception of civil society matters; it is at the core of architectural design values.

One of the most influential factors in architectural design is creativity. The enhancement of student creativity is a universally sought objective. This research hypothesized that computer-aided design, experience, sketching, physical modeling, learning environment, and images and visual references can serve as powerful tools to stimulate creativity in the architectural design process. It sought to investigate which of these components has the greatest impact on increasing student creativity. A total of 114 bachelor students and 347 master students of Architecture were surveyed using a questionnaire. Data were then analyzed using SPSS and one sample t-test and Friedman test for ranking. Results showed that experience can significantly increase the creativity of students in the architectural design process compared to the other components.