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The Source of the Idea of Equality in Confucian Thought
GAO Ruiquan
Front Phil Chin. 2010, 5 (4): 486-505.
https://doi.org/10.1007/s11466-010-0111-5
Although the traditional society in China was not necessarily a society of equality, and the classical Confucianism did not speak much about the principle of universal equality, in modern times, in the midst of a transformation of value systems, people still find correlating sources within the Confucian tradition that is connected to the modern idea of equality. This essay makes a detailed study on this correlation and points out that ancient Chinese society and the western feudal society are different in terms of social systems and education systems. For example, China has the imperial examination but no patrimonial aristocracy. Confucianism opposed the huge gap between the poor and the rich, and this idea has become a modern tradition in the ideal of “great harmony under the sky,” especially in Kang Youwei’s 康有为 Datong Shu 大同书 (Book of Great Harmony). There were also some elements of agricultural socialism and equalitarianism in traditional Confucianism. The potential idea of equality (or reciprocity) in “friendship,” embodied in the principle of Confucian ethics of the Three Bonds and the Five Relations, is explored and explained in a modern way. The theory that the sages are equal with the masses, which originated from the theory of human being’s intrinsic goodness, may be directly connected with modern principle of equality. The modern transformation of equality is both political and ethical. The former is to struggle for individual rights; the latter is to establish moral subjectivity. Therefore, equality between sages and the masses manifests modernity. Like the epistemic subjectivity, which could not be discussed without referring to group-individual relationship, the moral subjectivity also contains a consciousness of equality.
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Reproduction, Familiarity, Love, and Humaneness: How Did Confucius Reveal “Humaneness”?
CHEN Hongxing
Front Phil Chin. 2010, 5 (4): 506-522.
https://doi.org/10.1007/s11466-010-0112-4
This article draws out the subtle connections among the various sorts of categories—“sheng 生 (reproduction),” “qin 亲 (familiarity),” “ai 爱 (love),” and “ren 仁 (humaneness)”—focusing on the following: Confucius found the original significance of “reproduction” to be sympathy between males and females, and upon further study he found it extended to the .affinity of blood relations, namely “familiarity.” From “familiarity” he came to understand “love” that one generates and has for people and things beyond one’s blood relations, in other words, the empathic heart or the feeling of empathy itself. From here he anticipated rende 仁德 (the humane and virtuous) level of “fan’ai zhong 泛爱众 (universal love for all people)” or “fan’ai wanwu 泛爱万物 (universal love for all creatures).” The article further makes the point that in order to meet the conditions for the perfection of “humaneness” which has neither any excesses nor any deficiencies, Confucius ultimately developed a means, that is, “the golden mean,” which indicates that his ancient understanding of life and growth produced in Confucius a profound shift in the focus of human concern from “ming 命 (fate)” to “Dao 道 (the Way).”
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A Preliminary Discussion of Dai Zhen’s Philosophy of Language
WU Genyou
Front Phil Chin. 2010, 5 (4): 523-542.
https://doi.org/10.1007/s11466-010-0113-3
Dai Zhen’s philosophy of language took the opportunity of a transition in Chinese philosophy to develop a form of humanist positivism, which was different from both the Song and Ming dynasties’ School of Principles and the early Qing dynasty’s philosophical forms. His philosophy of language had four primary manifestations: (1) It differentiated between “names pointing at entities and real events” and “names describing summum bonum and perfection”; (2) In discussing the metaphysical issue of “the Dao,” it was the first to introduce a syntax analysis of linguistics, clearly differentiating between the different roles of predicate verbs “zhi wei” and “wei zhi” in Classical Chinese; (3) In criticizing Confucian thought during the Song and Ming dynasties, it adopted specific philological skills such as the analysis of phraseology, the meaning of sentences and the thread of words in texts; and (4) It re-interpreted the meaning of Confucian classics by studying characters and language, adopting a positivist and philological manner to seek metaphysical sense in philosophy. In this way, his philosophy was different from the scholars of the School of Principles during the Song and Ming dynasties and from the goal of Western linguistic philosophy in the 20th century, which refuted metaphysics. Accordingly, it helped to develop 18th century Chinese philosophy as it turned towards linguistic philology.
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Way of Post-Confucianism: Transformation and Genealogy
HUANG Zhuoyue
Front Phil Chin. 2010, 5 (4): 543-559.
https://doi.org/10.1007/s11466-010-0114-2
After Neo-Confucianism, the study of contemporary Confucianism became more diverse. Its original uniformity was replaced by diversity. During this time, however, Post-Confucianism became increasingly prominent. Post-Confucianism comes from a post-modernist context and was influenced by a post-modernist ideological mode, and so its appearance was inevitable. It was also closely linked to significant philosophical issues after the change in times, and therefore questioned and challenged Neo-Confucianism which was based on a pattern of modernity. Post-Confucianism represents a new trend in the contemporary development of Confucianism. From a cultural point of view, this essay systematically investigates three internationally renowned schools of Post-Confucianism and their backgrounds, noting their similarities and differences, examining their significance, and determining their meaning. By doing so, it intends to outline an intelligible framework for this academic trend and highlight the significance of Post-Confucianism for the development of contemporary Confucianism.
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The Phenomenological Ontology of Literature
DENG Xiaomang
Front Phil Chin. 2010, 5 (4): 621-630.
https://doi.org/10.1007/s11466-010-0118-y
Literary ontology is essentially a phenomenological issue rather than one of epistemology, sociology, or psychology. It is a theory of the phenomenological essence intuited from a sense of beauty, based on the phenomenological ontology of beauty, which puts into “brackets” the sociohistorical premises and material conditions of aesthetic phenomena. Beauty is the “objectified” emotion. This is the phenomenological definition of the essence of beauty, which manifests itself on three levels, namely “emotion qua selfconsciousness,” “sense of beauty qua emotion,” and “sentiment qua sense of beauty.” Art on the other hand is the “objectification of emotion” whose most general and closest manner to “humanity” is literature and poetry. Poetry is the origin of language and the linguistic essence is a metaphor. Language as “the house of being” is both “thinking” and “poetry.” Literature expresses the essence of art in the most direct way and, in traditional Chinese aesthetic terminology, literature is the “language of emotion” conveyed by the writer based on his own emotion towards the “language of scene.”
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How Does Downward Causation Exist?—A Comment on Kim’s Elimination of Downward Causation
CHEN Xiaoping
Front Phil Chin. 2010, 5 (4): 652-665.
https://doi.org/10.1007/s11466-010-0120-4
The importance of downward causation lies in showing that it shows that functional properties such as mental properties are real, although they cannot be reduced to physical properties. Kim rejects nonreductive physicalism, which includes leading functionalism, by eliminating downward causation, and thereby returns to reductionism. In this paper, I make a distinction between two aspects of function—functional meaning and functional structure and argue that functional meaning cannot be reduced to the physical level whereas functional structure can. On this basis, I further distinguish between the integer of the function, which includes the functional meaning and the functional structure, and the whole of the functional realization, and also among the strong, medial, and weak supervenience relations. So-called downward causation is indeed the relationship between the whole of the functional realization and its physical realizer, which is a whole-part relation instead of a relation between levels. As a result of understanding downward causation in this way and abandoning the principle of the causal closure of the physical world, Kim’s argument becomes invalid and nonreductive functionalism, justified.
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